Tommy Noonan

They Are All

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“It's about bodies rejoicing within limits rather than despairing beyond them. It's about age and time moving in and out of phase, now concordant, now grinding. It's about how each person's reality is scaled to the spread of their arms, the length of their stride. It's about the beauty of the possible and the possibility of transcendence.” - INDYWEEK

 

They Are All (2019).

They Are All is both an original dance performance and a project centering the role of artistic technologies in seeding the ground for new scientific research. It is a multi-generational collaboration between choreographers, professional dancers, amateur dancers, data informaticists, researchers in physical therapy, neuroscientists and people living with Parkinson’s Disease. 

For nearly four months, Murielle Elizéon and Tommy Noonan led workshops in Durham, NC, exploring the relationship between cognitive engagement, interpersonal relationship and movement. The workshops made use of improvisational movement as well as mindfulness and somatic tools often employed in contemporary dance practice, in order to foster a common experience in which dancers, medical researchers and people with Parkinson’s participated on equal terms. The workshops happened concurrently to a rehearsal and creation process for a new dance work. As the project progressed, rehearsals and workshops influenced one another, eventually dovetailing into a single creative process directed towards these performances of They Are All during the American Dance Festival’s 2019 season. 

The scientific hypothesis of the project is that not only the tools and physical techniques employed in the creation process generate beneficial outcomes for people living with Parkinson’s Disease, but that also the cognitive-emotional engagement required to participate in a movement-based creative process itself further enhances those outcomes.

They Are All is therefore not a project “about” Parkinson’s Disease, nor is it a statement about the relative abilities or achievements of those members of the cast living with Parkinson’s or  traumatic brain injuries. It is a dance work that is the result of a carefully crafted set of conditions and methods, peopled by diverse bodies and relationships on stage: many of the performers are caregivers, lovers, spouses, parents, former teachers, old friends or near strangers to one another -- a network of related bodies that have their own stories, complex histories and unknown futures, together and apart. 

Concept & Creation: Murielle Elizéon and Tommy Noonan

Creative Assistance: Angelika Thiele

Choreography and Performance: Annie Dwyer, Murielle Elizéon, Tommy Noonan, Angelika Thiele, Matthew Young

Additional performers: Mary Cantando, Vivian Ford, Dawn Hintgen, Julie Insley, Paul L. Molina, Pamela B. Moore, Cathy Moore, David Murray, Ruth Zweidinger

Stage assistance: Maya Noonan 

Music composition and performance: Shana Tucker

Additional music: Fennesz and Elvis Presley

Costumes and stage design: Sarah Marguier

Lighting design: Carl Faber

Video support: Alex Manass

Production management: Gil Paon

Culture Mill Program Assistant / Production support: Lauren Monroe

PT and neuroscience advisor: Dr. Jeff Hoder / Duke University

Biometric data and informatics advisor: Dr. Robert Furberg / RTI International

Music therapy advisor: Allie Chandler / Ossia Music Therapy

Mentorship: Dr. Glenna Batson, Monica Gillette, Clint Lutes

Special thanks: Julia Pleasants, Julian Almeida, Bridget Ryan and the ADF staff, John Colba and the Rubenstein technical staff, Ben Krall, Mindy Oshrain and Steve Jaffy, Carol Vollmer, Elisabeth and Simon Barbier, The Culture Mill Sustainers, Studio Marie Lenfant, Emily Miller, Liliane Dotta.

They Are All is a production of Culture Mill and an original commission by the American Dance Festival with major support from the William R. Kenan Charitable Trust, sponsored by RTI International and supported in part by Studio Marie Lenfant (Le Mans, France).

 

Performances

Premiere: 25th of June, 2019 — The Rubenstein Arts Center at the American Dance Festival in Durham, North Carolina.

ADDITIONAL SHOWS

26th of June, 2019: American Dance Festival, Durham, North Carolina.

 

 
 
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Je Suis Belle

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Je Suis Belle (2017).

Je suis belle is a dance installation commissioned by the North Carolina Museum of Art in November, 2017 in honor of the 100 Anniversary of his death. Focusing on Rodin’s unparalleled ability to infuse life and tension into his renderings of the human form, the work also explores the artist’s relationship with his lover and collaborator, fellow sculptor Camille Claudel. It imagines Rodin’s sculptures as fluid living works which provide insight into the dynamic human relationships that influenced their creation.

Concept & Direction: Murielle Elizéon

Created by: Murielle Elizéon and Tommy Noonan

Sound composition and performance: Ben Trueblood

Performances

Premiere: November, 2017 — The North Carolina Museum of Art

ADDITIONAL SHOWS

8 Additional Shows in November, 2017 at the North Carolina Museum of Art

 

 
 
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John

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"...remarkable…the images and emotions evoked...will remain seared in my memory, and, no doubt, in the memories of others who saw it...masterful and effective...a tour de force…” - Susan Broili of THE HERALD SUN

 

John (2016).

“John”  is a new 1-hour solo by Tommy Noonan, based in part on “The Illustrated Biography of John Travolta”, as well as on figures such as TV audience warmup-artist Jay Flats, motivational speaker Tony Robbins and other various televangelists, late-night infomercial personalities, talking heads, entertainers and politicians. The performance, which utilizes a combination of text, dance and video on a minimal stage space, lays bare the bond between audience and performer. Noonan crafts an ambiguous bargain with his spectators, who are trained to play their ‘role’ as an audience in an unsettling yet familiar relationship with the figure in front of them.  Rather than representing either a true or a false guru, “John” explores the complex relationship between superficiality and depth, belief, cult of personality, race, gender and the performance of public figures, as well as our relationships both towards them and towards ourselves in America today.

Concept, creation, performance, lighting, stage, video and sound design: Tommy Noonan

Text Montage: Tommy Noonan (from “John Travolta: An Illustrated Biography” by Suzanne Munshower, “Whitney Houston Live”, “Interview with Jack Ma”, “Trainspotting” by Irvine Welsh, “Boyhood” by Richard Linklater, “Donald Trump Rally in Charlotte, NC: August, 2016”, “John Travolta on ‘Enough Rope with Andrew Denton’”).

Music and Sound Montage: Tommy Noonan (from “Nature Boy” by Nat King Cole, “You Should be Dancing” by The BeeGees, “Stayin’ Alive Remix” by DJ Dash, “Nelly vs. BeeGees Mashup” by Lobsterdust, “Stayin’ Alive Remix” by K Theory and TYR, “The Perfect Human” (1967 film) by Jorgen Leth).

A production of Culture Mill

 

Performances

Premiere: 15 October, 2016 in Durham, North Carolina.

ADDITIONAL SHOWS

19th and 20th June, 2017: American Dance Festival, Durham, North Carolina.

 

 

Photos by Tim Walter

 
 
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What doesn't Work

Photo by Maurice Korbel

Photo by Maurice Korbel

 
 

What Doesn't WOrk (2013)

Three people devote themselves to an impossible undertaking: the creation of a symphony of movement without composition. They shape the irrational, the secret and the spontaneous with their bodies, wringing a landscape of physical memories out of every moment. In this intensely physical work, Tommy Noonan, Anja Müller and Murielle Elizéon explore the endless and unlimited possibilities of spontaneous decision, drawing eclectic and surreal forms into a calm room as if every second were both their first and their last. 

"What Doesn't Work" is both a performance and an ongoing research. It is an evolving method of anti-composition, in which all emergent forms, patterns and repetitions are welcomed as an archeology of the self. Noonan and Elizéon have built workshops around "What Doesn't Work" for professional performers, amateurs and students at The University of North Carolina at Chapel Hill, Theater Freiburg, Elon University and the American Dance Festival Studios.

Concept: Tommy Noonan

By and With: Murielle Elizéon, Anja Müller, Tommy Noonan 

Dramaturgy: Dennis Deter

A production of Theater Freiburg Tanz with support from Cie. Public in Private, Berlin

 

Performances:

19 & 20 December, 2015: The Carrack Modern Art, Durham, NC

6 & 7 June, 2014: Musounturm, Frankfurt

16, 17, 18 August, 2013: Dock 11, Berlin

31 May, 1, 19, 20, 2013 June: Freiburg

24 May, 2013: Premiere, Freiburg (DE) Theater Freiburg

 
 
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Wilderness

Photo by Eugenio Pedone

Photo by Eugenio Pedone

 
 

Wilderness (2012)

With one guitar and a microphone, two men suggest, inhabit and embody various fantasies of place, isolation and belonging in an imagined desolate dreamscape. Through fragments of possible narratives, they drift in a sometimes violent and sometimes tender relationship to each other and to the audience. "Wilderness" is part music concert, part radio-play, part dance performance and campfire story, wherein two people imagine a world that is both before and after our own. 

 

By and with: Tommy Noonan & Thomas Jeker

Light and Stage: Carl Faber

Costumes: Sarah Marguier
 

"Wilderness" is a co-production of Theater Freiburg (DE) and Kanton Solothurn (CH), with support from Tanzfabrik Berlin. 

 

performances

8 March, 2013: Uferstudios, Berlin

13 April, 2013: Theater Freiburg (Premiere)

14 April, 2013: Theater Freiburg

7 May, 2013: Theater Freiburg

9 May, 2013: Theater Freiburg

14 June, 2013: Sophiensaele, Berlin

15 June, 2013: Sophiensaele, Berlin

21 June, 2013: Gutleutmatten, Freiburg

October 11, 2013: Dornach (CH) 

October 12, 2013: Ausland, Berlin

 
 
 
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The Engagement

Photo by Bettina Stoß

Photo by Bettina Stoß

 
 

The Engagement (2011)

At dusk, an audience rides a bus from the centre of Berlin, Germany to a dark forest on the edge of the city, where 19th century author Heinrich von Kleist shot himself and Henrietta Vogel in a manic suicide pact that bore resemblance to his own final short fiction: "Der Verlobung in Santo Domingo". In this forest, the audience is led to a weapons testing range, where they encounter a bizarre troupe of performers who seem to be using live ammunition to tell, or perhaps re-enact both Kleist's final story and his own final hours.


DIRECTION Tommy Noonan
WITH Murielle Elizéon, Bettina Grahs, Georg Hobmeier, Thomas Jeker, Anja Müller, Tommy Noonan
DRAMATURGY Carolin Hochleichter
DRAMATURGY INTERN Luisa Wirth
PERFORMANCE DRAMATURGY Georg Hobmeier
MUSIC Thomas Jeker
VISUAL DESIGN Moritz Müller
COSTUMES Violaine Thel
PRODUCTION MANAGEMENT& PR Doreen Markert
ASSISTANCE Sarah Marguier
Produced by Maxim Gorki Theater Berlin within the Kleist Festival 2011, funded by the German Federal Cultural Foundation within the Kleist Year 2011. In cooperation with gold extra, Studio Blixa 6, DEVA Berlin, Waldrestaurant DEVA Treff, Kunsthaus Tacheles and enthusiastic encounters.

performances

6, 11, 12, 13, 18 & 20, November, 2011: Berlin, Germany

 
 
 
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labyrinth

Photo by Maurice Korbel

Photo by Maurice Korbel

 
 

Labyrinth (2010)

The audience is given earphones and an mp3 player, in which a voice guides them to a public space, such as a meadow, a street-corner or a city square. There the voice guides their attention to elements of the world around them, some natural elements of the landscape and social environment, and others enacted by performers. It becomes unclear which is which. In this mix of "found" and "performed" actions, the audience begins to look at their familiar world as an unreliable blend of truth and fiction.

Concept: Tommy Noonan

Creation: Tommy Noonan, Georg Hobmeier, Murielle Elizeon

With: Various amateur groups from the city of Freiburg, Germany; the city of St. Pölten, Austria; the city of Buenos Aires, Argentina

Produktion: Festspeilhaus St. Pölten (A), Landesverband Baden-Württemberg, Stadt Freiburg, pvc-Tanz Freiburg Heidelberg

 

Performances

Mai, 2011: St. Pölten, Austria

April, 2011: Freiburg, Germany

September, 2010, Buenos Aires, Argentina

 
 
 
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Brother Brother

Photo by Maurice Korbel

Photo by Maurice Korbel

 
 

brother Brother (2009)

In this evening-length duet, two men are on an empty stage, their bodies moving in and out of synchronicity, proximity and interactions both intimate and violent; images of possible relationships, histories and futures are projected onto the empty walls that confine them to the space. 

Choreography and Performance: Clint Lutes and Tommy Noonan

Light Design: Carl Faber

Stage and Costume: Moritz Müller

Produced by: pvc-Tanz Freiburg-Heidelberg

 

performances

PREMIERE

October 16, 2009 | pvc Freiburg
8 pm | Kammerbühne Stadttheater Freiburg

ADDITIONAL SHOWS

October 23,25 – 8pm | Kammerbühne, Freiburg

November 5,8 – 8pm | Zwinger 1, Heidelberg

November 15,21,29 – 8pm | Kammerbühne, Freiburg

December 12,13 – 8pm | Tacheles, Berlin

******2010******

February 26 – 7:30pm | Box Theater – Festspielhaus St. Pölten, Austria

April 2-4 – 8:30 pm | DOCK11 Berlin

April 8,9 – 8pm | Kammerbühne, Freiburg

June 19 | Kammerbühne, Freiburg

December 13 | Kammberbühne, Freiburg

******2011******

June 25 | Montpellier Danse/Mouvement Sur la Ville, Montpellier

November 29, 30 | Globalize Cologne, Cologne, Germany

December 2, 3, 4 | Cabaret Inestable, Valencia, Spain

******2012******

March 9 | Cité Danse, Grenoble, France

March 29, 30, 31, April 1 | DOCK 11, Berlin, Germany

******2013******

April 5 | L’Abaeicite, Corbigny, France

October 2,3 | Mac Orlan – La Becquee Festival, Brest, France

October 17,18,19 | Studio Marie Lenfant, Le Mans, France

******2014******

December 18,19,20 | The Carrack Modern Art, Durham, North Carolina USA

 
 
 
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Tout Court

Photo by Maurice Korbel

Photo by Maurice Korbel

 
 

Tout Court (2008)

Seven performers, dressed in identical jumpsuits with identical wigs, attempt to climb a room full of cardboard boxes. As they fall, hilarity ensues, and the boxes are slowly reduced to rubble. Eventually, the performers are forced to use one another's bodies to continue the ascent. But to where are they climbing? Why do they insist? As the falls continue, laughs give way to awkward silences, and a darker struggle emerges that places the audience in a tenuous balance between slapstick and pained empathy.

Concept and Direction Tommy Noonan (USA)

Creation and Performance António Pedro Lopes (Portugal), Jean-Baptiste Veyret-Logerias (France), Mia Habib (Norway), Gui Garrido (Portugal), Begüm Erciyas (Turkey), Monica Gillette (USA), Murielle Elizéon (France)

Stage and Costume Franziska Jacobsen (Germany)

Production: pvc-Tanz Freiburg-Heidelberg (Germany)

 

Performances

Arcadi, Paris: - Feb, 2010

Festival Internacional de Danza, Morelia & Zamora, Mexico - July, 2009

Teátro de la Danza, Mexico City: July, 2009

Théàtre de la Cité Internationale, Paris: 2 performances - April, 2009

Zwinger Theater, Heidelberg, Germany: 2 performances - Dec., 2008

Theater Freiburg, Germany: - Nov. - Dec., 2008 (Premiere)

 
 
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now here

Photo by Maurice Korbel

Photo by Maurice Korbel

 
 

now here (2007)

A single piece of red thread runs in a room, cutting angles, shapes, spaces devising an imaginary architecture. At each end of the thread, a motor turns, slowly pulling the string in an inevitable process of both reduction and revelation inspired in part by the works of artist Fred Sandback. A performer moves lightly about, facilitating a gradual process that contains as much tension, fragility and longing as a tragedy between two lovers.

 

Past Performances

Theater Freiburg (Freiburg, Germany): January 2007

Performing Arts Forum, (St. Erme, France): August 2007

Tanz im Auguste: (Berlin, Germany) (cancelled): August 2007

Festival Instances: (Chalons-sur-Salon, France): October, 2007

Theater Freiburg: (Freiburg, Germany) March, 2008

Theater Heidelberg: (Heidelberg, Germany) March, 2008

Kunsthaus Tacheles: (Berlin, Germany) June, 2009

Kunstverein Museum Freiburg: (Freiburg, Germany) November, 2009

Festival Il Faut Bruler Pour Brillet: (Paris, France): September, 2013

 

 

 
 
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